Bright Beginning

  • David Najar – 2017
  • Height: 16 – Width: 19 3/4 – With frame: 22×26
  • Ser No 820330.0436
  • Appraised Value: $ 1,980 US

Giclee in color with hand-embellishment on canvas.
Hand-signed in pigment lower left by the artist.

  • Provenance
    1. David Najar
    2. Park West Gallery
    3. DigitHall Gallery . J

Remember the Time

  • Matt Beyrer – 2017
  • Height: 15 – Width: 19 – With frame: 21×25
  • Ser No 815283.0010
  • Appraised Value: $ 2,350 US

Caldograph (digital multiple through dye-sublimation on wood).
Hand-signed lower left by the artist.

  • Provenance
    1. Matt Beyrer
    2. Park West Gallery
    3. DigitHall Gallery . J

Matt Beyrer

Matt James Beyrer transforms canvas and wood into fantastical realms full of depth and realistic details.

Born November 18, 1981 in Winter Park, Florida, Beyrer relocated to the Hammock, a small community on the state’s east coast. He earned a bachelor’s degree in illustration from Ringling College of Art and Design. Not long after graduating, he gained recognition for his ability to create unique and gripping environments.

Beyrer is the creator of Natural Expressionism, a style that draws upon traditional techniques, light, conceptual art and nature. His fascination with color and composition result in oil paintings that transform the abstract into reality.

Beyer draws inspiration from the power of nature; the sun’s warm light, the fury of a thunderstorm or the tranquility of a forest. He incorporates the natural grain of his wood panels, using nature itself to create beautiful and enchanting images.

The Old Masters such as Eugène Delacroix, Edgar Degas, Rembrandt van Rijn influence Beyer’s techniques, while the Hudson River School artists inform his use of light. Modern influences include illustrator Jaime Jones, concept artist Brandon Liao and Drew Struzan, the creator of “Star Wars,” “Harry Potter” and “Indiana Jones” movie posters.

Beyrer’s art is collected around the world and featured in galleries, private collections and homes alike.

Sail into the Horizon

  • Matt Beyrer – 2017
  • Height: 9 1/4 – Width: 10 3/4 – With frame: 15×16
  • Ser No: 815264.0034
    Ser No: 815260.xxxx
  • Appraised Value: $ 1,625 US

Caldograph (digital multiple through dye-sublimation on wood).
Hand-signed lower left by the artist.

  • Provenance
    1. Matt Beyrer
    2. Park West Gallery
    3. DigitHall Gallery . J

The Stillness of Venice

  • Daniel Wall – 2017
  • Height: 17 7/8 – Width: 18 – With frame: 24×24
  • Ser No 812314.0095
  • Appraised Value: $ 1,225 US

Giclee in color with hand-embellishment on canvas.
Hand-signed in pigment lower left by the artist

  • Provenance
    1. Daniel Wall
    2. Park West Gallery
    3. DigitHall Gallery . J

Daniel Wall

Daniel Wall is the innovator behind Intense Impressionism, a contemporary style that brings the Impressionist art movement from the 1800s into the modern era with vivid colors, heavy textures, and messages of joy and love.

From his subjects to his techniques, every aspect of Wall’s works has an optimistic meaning behind it, which he reinforces with each stroke of his palette knife. Drawing on his passion for art that began in early childhood, Wall creates expressive landscapes, cityscapes, and floral paintings that appeal to art lovers across the globe.

Daniel Wall: Personal History

Born in a small village in northern China in 1965, Daniel Wall began drawing and painting at the young age of 4. Crayons were a rarity in his household, so Wall’s aunt, an elementary school teacher, brought home chalk and pencils for Wall to use. His mother, a talented self-taught artist, also encouraged Wall’s interest in art.

Wall took every opportunity to draw or paint after school, earning numerous art awards in his youth. At 16 years old, Wall received a government scholarship to study art at Laiyang Teachers College, an academy that only accepts a handful of students every year.

Following his graduation in 1983, Wall worked as a full-time art professor in the Teacher’s College in his hometown, and later furthered his education by graduating from Shandong University of Arts in 1987. After graduating, Wall worked as an illustrator and fine art editor for the “Fire Fighter Journal” of Shandong Province.

 

Birth of Intense Impressionism

Soon after he began teaching, Wall became fascinated by Impressionism and one of its founders, Claude Monet. While teaching about Monet to his students, Wall would sometimes duplicate a painting by Monet many times to better understand the artist’s techniques. During that time, Wall realized that the moderate colors and textures in Impressionist paintings could only realistically depict light. Wall desired for the colors to be more vibrant and the texture to be stronger to reflect the excitement, fast-paced, and high intensity of modern life.

One day in 1984, Wall decided to adapt the unique Chinese “Dry-Brush” calligraphy and painting technique, using a palette knife to apply additional colors to some of his oil paintings to enhance their intensity. When his family and friends were amazed by these paintings, Wall realized he discovered something special. He continued to use palette knives and hone his style, and in the process, Intense Impressionism was born.

Coming to America

In 1995, Daniel Wall and his wife immigrated to the United States to further their education. Wall earned a Master’s Degree in mathematics with computer science concentration from Georgia Southern University, but instead of pursuing a career in this field, Wall followed his lifelong passion and became a full-time artist.

Wall resided in Florida to draw inspiration from its ocean scenes and tropical landscapes, though he left briefly to study fine art in Italy for three months. Later, he returned to Italy multiple times to draw further inspiration from the country’s architecture and culture. His artistic development was solidified through his extensive experience as an art professor, illustrator, and art editor. In 2000, Wall began featuring his artwork on auction television shows, resulting in a national following.

In 2006, Wall, his wife, and their 6-year-old son moved to North Carolina. Wall paints full time while his wife works as a professor at East Carolina University. In 2007, they welcomed a daughter to their family.

Wall continues to reside in North Carolina, and his paintings are widely collected in the United States and around the world.

 

Daniel Wall: Style and Influences

Wall describes his work as Intense Impressionism, his own modern-day interpretation of the style Impressionists made famous in the 19th century. Intense Impressionism is characterized by large, conspicuous strokes, heavy textures formed by thick impasto, and an exaggerated emphasis on light.

All of Wall’s artwork is created exclusively with a palette knife. Even the smallest details are applied with the tips or edges of palette knives instead of brushes. Wall prefers palette knives for their ability to apply thick swathes of bright oil paint onto the canvas.

Wall is heavily influenced by the Impressionists, principally Monet, but also by Camille Pissarro, Alfred Sisley, and Georges Seurat. His strategy of allowing his strokes to be fully evident—while also imbuing his pigment applications with an Expressionist energy—reinvigorates the Impressionist style, allowing Wall to find his own unique artistic approach.

Wall is adept at juxtaposing color to create striking contrasts and dramatic effects. At first glance, his combinations of colors—with their warm and cool, dark and light contrasts—may appear spontaneous, but further viewing reveals his dedication to a fixed light source, bringing his compositions into focus.

Wall attaches specific meanings to certain elements in his art. He describes light as a representation of hope, the open sky as freedom, a road as the path of life, and water as emotion. Even his thick impasto represents what he calls “strong and powerful love.” All of his symbolism points toward his own romantic and joyful view of life.

“I use different colors and different shaped trees to make my paintings colorful and beautiful to inspire people to appreciate the beauty of life,” Wall says. “I want the bright colors to inspire people to feel that every day is a good day.”

 

Daniel Wall: Accomplishments

  • Wall served as a journal illustrator and cover designer for more than 20 national journals, and has published over 500 book covers and illustrations. His works were voted “Best in Art” by Absolute Art in 2013 and 2015.
  • Wall’s artworks were widely collected by many corporations and celebrities, and have been used in Hallmark movies.
  • Wall won a number of fine art awards throughout his career, some of which include: First Place in Youth Fine Art Competition in the City of Laixi in 1981, the Best Work Award from Shandong News Artists Association in 1990, the Best Book Award from China National Fire Control Association in 1990, the Best Illustration award from Shandong Insurance Magazine in 1991, the Excellent Work Award in Starke Art Festival in 1999.

Lake Afternoon

  • Daniel Wall – 2017
  • Height: 17 7/8 – Width: 18 – With frame: 24×24
  • Ser No 812234.0001 or 812230
  • Appraised Value: $ 1,225 US

Giclee in color with hand-embellishment on canvas.
Hand-signed in pigment lower right by the artist

  • Provenance
    1. Daniel Wall
    2. Park West Gallery
    3. DigitHall Gallery . J

Empire State

  • Gregory Arth – 2017
  • Height: 20 – Width: 15 – With frame: 26×21
  • Ser No 809012.0243
  • Appraised Value: $ 990 US

Caldograph – digital multiple through dye-sublimation on wood.
Hand-signed in white ink lower right by the artist.

  • Provenance
    1. Gregory Arth
    2. Park West Gallery
    3. DigitHall Gallery . J

San Francisco

  • Gregory Arth – 2017
  • Height: 13 7/8 – Width: 20 – With frame: 20×26
  • Ser No 808982.0259
  • Appraised Value: $ 990 US

Caldograph – digital multiple through dye-sublimation on wood.
Hand-signed in white ink lower right by the artist.

  • Provenance
    1. Gregory Arth
    2. Park West Gallery
    3. DigitHall Gallery . J

Gregory Arth

Whether it’s larger-than-life murals or a collage of repurposed circuit boards forming a robot, Gregory Arth captivates the imagination by exploring the beauty of technology.

I have been making a living as a freelance artist for most of my adult life. What is on this web site is a hand-picked representation of my collective work. Each image will have title, size and other information as well as availability attached. This is where you may see if an original is available or gilcee’s of the image are printed.

My giclee prints are small limited editions, signed and numbered and produced with high quality archival inks on canvas, with a durable lamination clear coats that are UV filtered applied through a heat and vacuum process. Some images are then embellished by hand with clear texturing, highlights, and/or gold leaf paint, each of which is a unique piece. Look for this information below each image.

Personal History

Born in Albuquerque, New Mexico, on October 17, 1955, Arth and his family moved to Texas when he was 2 years old. At a young age, Arth demonstrated talent in drawing and painting. When he traveled to Europe in the mid-1970s to visit family, he was awed by the artwork he viewed.

Arth’s father, a geophysicist, did not want him to become an artist, but Arth couldn’t deny or curtail his creativity. He studied drama and fine art in high school, then briefly at the American School in London and the University of Texas at Arlington. He designed sets, theatrical backdrops, murals, and paintings, leading to professional opportunities designing sets and backdrops for movie studios, ballets, operas, and companies including Six Flags Corporation and Cinemark Theaters.

“Even the discouragement from my father was not enough to stop me from making a life as an artist,” Arth says.

Arth and his family currently live in Colleyville near Ft. Worth, Texas.

Style and Influences

Arth loves the fascinating complexity of circuit boards, often using them to portray themes of technology. Through the deconstruction and assemblage of technology, Arth transforms ordinary and utilitarian objects into dynamic and textured art.

Arth began using circuit boards in the early 1990s when he realized circuit boards bear an uncanny resemblance to an aerial view of a city. Arth gathers his supplies through recycling companies dealing in computer parts, often searching for specific shapes, colors, and unusual pieces to incorporate.

Through a fusion of collage and paint, he began creating cityscapes. Since then, he has expanded this technological theme to depict robots, “space cowboys,” and American flags.

“I’ve been asked many times why I do what I do. I can’t say I know exactly,” Arth says. “I was born with the need to create things.”

During his visits to Europe, Arth became fascinated by works from John Singer Sargent, Gustav Klimt, Michelangelo, Raphael, Vincent van Gogh, as well as African art. Contemporary artist Chuck Close also inspires Arth with his colorful grid paintings.

Arth credits his older brother, who once worked an artist, as one of his biggest influences for deciding to become an artist.

Accomplishments

  • Arth’s works are displayed in galleries, offices, and restaurants and are collected around the world.
  • In 2015, he was the official artist for the spring Bayou City Art Festival in Houston.